October 16, 2017

Surfaces, giclee transfer process for "Colour" exhibit

Surfaces, giclee transfer process 

for "Colour" exhibit

East Facing at Dusk in Aberdeen
340 x 260

This painting I did a sketch for sitting in my car one evening recently. I refined throughout from that moment until I delivered it to the gallery, working digitally and ending with paint overs in oil on top of transfer glaze. That is the stuff that is left on my prepared panel once the paper is rubbed off. 

So what these are, in other words are my paintings done on loaction using mostly procreate and adobe sketch on my ipad. They then are 'printed' but not in any conventional sense either by way of a bit if a gluey sort of compound (Dont get it on your hands, trust me!) but which is oil based. This "film" pressed to the panel is then your Giclee. I work ontop of it with more paint and bring the work to completion.

A picture in the studio of a print being revealed underneath, adhered to the panel.

The print is done to paper, ordinary lazor print grade. In using this technique its not the quality or thickness of the paper thats important but rather the layers of glaze used. I found two sufficient depending on how well they adhere, it can tend to bead. This is spunged onto the print. Once again, the under panel is fundamental as you will see through the glaze to the underneath, white painted and prepared well in this case. I think Ive explained my process on preparing these (surfaces/panels) in an earlier post. One can work with the transparency potentials here.

Its important to get all the paper off properly and this takes getting the knack of. Above is close up photo of a portion of my painting showing a spot of paper that I didn't get off early enough, (I had already rubbed linseed oil into the transfer once printed to the panel), so a cautionary there but which I accepted later as a textural element. The linseed helps bind the print (in theory) and makes it wonderful to paint onto too. I apply two or three coats and polish in. And then work over as much of the surface as I can, matching colours and glazing with my medium. I am able to completely change a piece in this way as oil paint is after all a good opaque medium. In some cases I do, as the initial print is just a very rough sketch. Its quite rewarding to do, especially for me since I am always conscious of the overall concept starting with sitting in front of my subject, and at times the painting is even worked with in reverse (when printed to paper) and also covered up and gradually revealed. It all worked out wonderfully, and it was a thrill to be part of the group exhibit once again and show some of these moments spent.

"Neu Bethesda morning light"
240 x 250

All other paintings for the "colours" exhibit can be seen on my various online media platforms, twitter, FB page, instagram etc, find these via my main page above. Thanks

August 13, 2017

Pinnacle Point

Pinnacle Point
Digital Sketch

The above is an example of a digital sketch done from life, this I can now print out and do a transfer of onto panel if I so choose, the sketch gives me all the necessary information I need to take it to completion. The atmospheric conditions, and basic hue, plus shape language of the forms and lighting. Its beautiful, this area was once an indigenous peoples fishing trail, and a tremendous hike you can take now days. I am yet to venture but it is one of many in SA I would probably want to recommend.

August 10, 2017

Vervits of the Karoo

Mostly napping vervit troop
Vervit above and below

I very happily had occasion to accompany some students in a near by reserve who are studying these vervit monkeys, thanks to them I got really close and with some real gusto put colour to paper. Top two images. 

Where I live they frequent my compost bin which suits me as most folk would sooner send a flying bullet to save their lone lemon or apricot. Its nice to know they have the attention of academics and not just me. When I first moved to town I got a couple of tiny watercolour interpretations in (below). Just a dab of sienna and a dark cool grey (probably paynes) to accent and create the form. Simple is always most effective. 

Im hoping to do more finished pieces soon and will include reference photos and perhaps a video then. I really want to move toward animals in the next while, especially considering the design I will be doing for a public wall. And in an area where these little guys thrive. They (males I suppose only) have seriously bright turquoise testicles! Ill add a little more information on the next post, as they are very fascinating and there is much to tell in fact. 

August 09, 2017

Its My Birthday!!

I started this blog 10 years ago today, with this little post. I remember well, sitting at the video store on Rosmead ave in Cape Town where I was working (humble beginings!), we had just been taken over by a new owner and so had also gone online with a new system. I had managerial privileges and got to scoping out the options. I could once program with GWbasic but it had been some years since then and without a computer. These things develop fast! I opened a FB account and got my blogspot account linked to my email. Google is a little evil in this way since its not made one update or improvement to the blogger app in the last 10 years that I can tell. That means for someone without much "coding" or web designing savvy I think I have fared well.

Honestly I have also just recently really begun to make sense of the whole Photoshop realm, (thank goodness) and this is helping tremendously with the digital side of my work. I can even make a little gif file as you see, It is really a demonstration of the surface (following my last post) on top of which the little animated armature (happily) sits. So I use a base paper grain/texture/surface and the rest is layers set on multiply, a little focal colour/light and that is it!

Quite extraordinary how things change though, and the world we live in seems so different to what I may have thought 10 years back. Its especially evident in these 'environs', facebook and so on. Everything gets posted online, and networks of people share and comment but perhaps are actually interfacing on a physical level less and less.

FB had the first ingenious closed network system. One of a kind, works seamlessly with all other web content now days. Google started out providing a more autonomous blog platform but simply and seemingly recalled any energy spent on it, instead bolstering their own type of closed network, ie google + . I dont think it will get the same traction, trying for the same market, but of course they are the no.1 search engine, always accumulating information. The biggest 'Machiavellian' baddie of all perhaps. So that without it the web becomes inaccessible. And its just a search engine!

Who will be the biggest, most powerful player in the game for the great pseudo brain we all use these days? If you were a big global multi corp like them what would you say? Hmm I wonder.

 It is certainly the age of information. People are sold hook line and sinker by the rabbit hole searches they go down. Critical thinking we were taught in science class out with the bath water. Anyway..

Aberdeen Street Scene in Watercolour

I have quite a few projects coming up. Painting the karoo scapes, peoples and experience! I will be adding more videos and demos, and many surprises as my creative process unfolds, music even, very exciting. The right sidebar is already full of specific topic lists to look up under and a resources section I will be adding more to in time.

Everything is my own, the idea; of Curt-mart or C-mart is a sharing of information specific to a particular creative process, and its for FREE and with not one bit of hidden ulterior motive (vein glory included). Also the word ART  is a vaguely construed word for me, embedded in my name, and a further premise for the conversation and title. What is art? Hmmmm,? A good question!

I will be sharing more content on Facebook, twitter and Instagram etc, so please join me there too. Here's to 10 years .. the best is yet to come.