December 14, 2016

purple pan

 
                                                                               

December 02, 2016


'Agave on the Camdeboo'

The agave is actually not an indigenous plant to our region, although it does very well. Supposedly brought in for the purpose of making liquor back in the day, but I am still fascinated by it. One really has to get up close, see its fiberous grain when polished up, and then see it from afar again, the giant ones. This print will be available soon on order via my website (top right).



October 24, 2016

sop






Sense of Place Composition Study no.6 (modified/unofficial version)
(digital painting of the Compassberg peak [witches hat] entering Neu Bethesda)


I was privileged to be part of the new Sense of Place exhibit happening at the moment in Graaff-Reinets fairly new and establishing gallery adjoined to the prestigious Drostdy Hotel. If you want to treat yourself and you are in the area, the cake is very good and reasonable.

I did 10 paintings altogether, 8 in a set plus two limited 2nd editions with frames I made myself and one multi-compostional piece. The process is simple, I paint them as I am inspired to do, on location in procreate on my iPad and print this to a fairly sturdy paper. A transfer glaze is applied (which I have learnt allot about, more to follow on that in future posts) and then press this to a prepared Masonite board, neatly finished off and centered. 

 The image then becomes a live oil painting as I apply layers of linseed oil and buff, then repeat. Oil paints go on in glazes and overlays, keeping to the basic composition mostly and importantly the correct value ranges. Of the 8 pieces, features include: a karoo house, some famous land mark 'koppies' and mountains as well as suggestions of agave, a most wondrous plant and for me a definite icon encapsulating the theme. They grow in forests out on the dry karoo plains, and it is just the flower that stands out almost like a tree itself. Very sugary, so you can make tequila from them too! 
   
    
                    

Agave digital sketch


It is amazing to use this new technique and have done the experimenting, discovering how to do the transfer and produce finished paintings. I would not want to work from reference when painting landscape and this technique gives me that ability, since it is somewhat challenging (for most artists)  to achieve good 'on-location' results. There is some argument about it amoungst artists, those who condemn using reference versus working from life, but at the end of the day it is just a practicality matter and the notions of the artist in question, each of us having very different needs and therefore processes. Personally I am intent on the magic of painting what I see in life, for sure that process is far from finally understood or ideally handled, but that is also its charm, nothing is certain, and the art is almost secondary to the experience. I may paint from reference too but my intention is then different, the work is then different and so on, each to their own and let the art speak for itself.

Initially the paintings were done as studies, these were added to and by the time they were ready to hang had become fully finished pieces, and made from start to finsih by myself. It was allot of fun and opened a whole new universe of possibilities for me. Some might be a little 'nay saying' also on the part of them being made digitally, and its true, this is a medium of its own, not unlike water colours, or any other way to render a picture, but these finished pieces are not being looked at on a screen when finished, I have taken them further and to the very end. I am also sure not to re print or re work the same image again either, because I want to make more, others and holding to my discoveries, creating works of fine art the way that makes sense to me in the moment. Perhaps one day I will go and collect specific reference, work from it and then display ONLY on a screen!! Who knows..





Here is a link to a gallery shot as it showcases four of these pieces currently. The rest can be seen on my site here. Please follow the links for further information on the gallery and the Imibala trust (which a portion of the proceeds go toward). Thank you to Kim, Dianne and Tessa for everything and for displaying my work, thanks also to Imibala.


The Curators

Drostdy Imibala Gallery


October 14, 2016

the luminous two


The luminous two,
digital painting 


This is a sample of work done, whilst formulating a process which is easy and effective. Doing a drawing say on A3 as this was, photographed, cleaned up and finished all on my ipad. Two steps, two meditative masters, and a pinch of imagination, lots of fun! 

October 10, 2016

Warm up character development done from various references

October 07, 2016

bluebird







..and then we go traditional again, easy! Watercolour and watercolour papers just cant be forgotten of that easily! from my 2'x2' book, this one will soon be full. 

October 05, 2016

bronze,bone & shell


whilst im going through the old files and making room for new ones.  This is also a digital painting, with less fuss than others, more or less trying to find the materials and less rather than more about composing. Copper or is it bronze, bone and shell. 

August 31, 2016

flyn sketch





Made in procreate on an ipad air, roughly the resolution of an A4. I tried to just capture him figuratively at first, almost as if in oils, and then bringing in a bit of lighting, which helps lift the composition subtly. So a bit of a trial in light as well as alla-prima digital painting.

August 30, 2016

Cradock Street Graaff Reinet


This fellow decided to pose for me, I can tell this is fun..


And at current time: process shot; first wash and pencils..



Cradock Street in Graaff-Reinet Watercolour




August 29, 2016

Favorite spots

                         


Neu Bethesda has to be one of the prettiest towns and most relaxing, inspiring places Winter is a particularly dry time - but in so many ways no less magical. 

Painting on location has taught me, as usual quite allot on this visit, about my medium and composing. I spent two days, did research and trial and more research, a few paintings and studies and had allot of fun.

This gouache study is done on gesoed board, standing looking up from the little shade I found on the side of a river bank under a beautiful willow tree. 

                                       


August 20, 2016

Vhs machine still life




                                                                2048 x 1536 pixels

Note my sizes in pixels as per pro create, the program I used. Effectively comparable to an A5. The irony lies in the antique subject matter, one of my favourites. This was a simple observational study, or still life. In Still life the intention is to capture certain material qualities. 

August 15, 2016

Jan se bucki en huis op Rawson straat.

                         

 Watercolour  7' x 4.5'


Here's a recent plein air I did of down town. We say 'onder dorp'! In the olden days this was a poorer part of town, but things have evened out somewhat. So much changes, this is something that intrigues me about being here especially. There is history that is just that much more apparent than would be in the city. And Im personally convinced so much more could be told of it.

Anyway, I include a photo of the scenery that can be seen would you to look left immediately from within the picture frame. A proud herd of springbuck. In the photo, unfortunately the sun is a little bit too frontal and so it was difficult to expose nicely and show all that there is. But still. It is so gorgeous here at the moment, as there is quite a bit of small scale farming going on, and the sights and sounds to be had! 

                          




Also a photo of the subject scenery, at a different time of day from the painting. About 5pm and the sun hits the far blue ranges of mountains from the last road on the edge of town, and of course oom Johan' se bucki en huis op Rawson straat.


August 14, 2016

Kalam


I'm busy with character design at the moment, on the side. This is something I drew whilst engrossed in a book, Quite a long while back actually, I won't mention which book however.  It was scribbled down rather quickly as all my work in this vein is, quite representative, painting more than drawing!

                                 


I may have over edited it here a little, . due to my excitment using a new app! 

August 08, 2016

Snowy Mountains Study



Just beyond my small town there are farm roads to write poetry of. I set out with the intention of capturing once and for all a scene with snowy mountains. It has not been nearly as cold a winter as last year but for some few days. 

Here is the little study I accomplished against all odds, including a near maul by a giant ostrich, which in hindsight was more intimidating than I had expected. He followed me nearly to the spot where I sat, but trailed behind after our certain altercation. Luckily he kicked only once and I manged to show him off with my sitting stool! I did show him alright! .. Back to painting: ...

I had some prepared small surfaces for colour studies I keep in a small file, this one primed in very nearly the correct hue and tone of the grassy hillocks and plains preceding the mountains in the distance. This helps considerably with painting time. However I had also sealed the surfaces with an acrylic mat medium before, which I find I did not necessarily like too much. I prefer a porous surface, a whole discussion in and of itself I suppose, for watercolour. There is just nothing quite like a good surface, I could go on and on.. 

Gouche is mostly new to me, and I am thrilled by it, having the sense more so now than before that the old 'pure watercolour approach' is not at all times the highest ideal. Certainly for a study. I am thrilled by the prospects of its quickness and technique and as I am discovering the truths about both transparent and opaque painting.

I did three such studies in all on the day, with differing approaches. Some of the scenery of subject matter so breathtaking it is hard to describe here in words. Working on location is a real challenge but that to which I am more and more intent as I go. 

So here I am painting in the cold, sped up and complimented by Beethoven!

Cat doodles










July 21, 2016

Graaff-Reinet at dusk




circa +_ 1902


Beautiful Graaf-Reinet is the axis town of the great Karoo region of South Africa. And once frontier town, it still holds much of that magic! What more could any person who wishes to paint ask for. I am very blessed to be here, and I hope some of the sentiment is carried over onto this work. I did it on a Georgian piece of heavyweight rough paper, with a limited pallete winsor and newton half pan watercolours.

I did the penciling and first wash on location, with final tones added and white gouche highlights to finish at home in the studio. I thoroughly enjoyed this piece, especially the passages of green under the trees in the church grounds and the lights silhouetted by Spandoukop on the peripheral background.

June 23, 2016

Caracters de story


Strider




Mithrander

Character art designed by Curt Marthezé from the books of JRR Tolkien

May 30, 2016

painting studies


                    2'x3' (Graaff-Reinet)

                                                                                                              2'x3' Aberdeen

       Neutral light composition study 

May 27, 2016

between right & left


                                             acrylic 1'x2' 

May 02, 2016

Painting study series 1 - 4


dockyards Simonstown


Waterkloof farm


Sonday rivier dam


Canyon past Graff Reinet

April 12, 2016

April 01, 2016

JudyLD digital


Digital life study and media 


Detail design 


and if thats not enough, here is the video!

March 15, 2016

framing part 0.5


These are notes made subsequent to the following earlier post on the subject. I hope that will about do it. I do want to keep notes under the current catagory label in any event. Thanks for reading!

comp excercises














Composition exercises and plein air composition exercises

with further elaboration here